Korodi Luca

By extending the macro- and microspheres almost to their endpoints, the scope of the works of art is enlarged and their competence is extended. An almost universal ‘landscape’ is unfolding before our eyes, extending, on the one hand, deeply back into time (following the succession chain of fossils–hydrocarbon–energy–velocity–light), while on the other ascending into the cosmic space engulfing the Earth in its entirety to finally come to a standstill at the frontiers of our present-day knowledge, at individual signs of our capabilities of abstraction, such as the icosahedron of the Dymaxion map (following the succession chain of nature observation–mathematics–astronomy–universe theories). Metaphorically speaking, the paintings – drawn together and embedded into an installation – depict ‘landscapes’ that seem to reflect mankind’s spatial and temporal abstractions, including spiritual signs, procedures, ethical and moral consequences.